poetry_publihsers

Poetry publishing remains one of the most challenging yet rewarding paths in literary publishing. While the commercial market for poetry is modest compared to prose, hundreds of dedicated presses continue championing poetic voices, from emerging poets to established masters. The poetry landscape in 2026 includes prestigious university presses, innovative independent publishers, specialized poetry houses, and literary nonprofits committed to the art form.

For poets with completed manuscripts—typically 48-100 pages of cohesive work—this comprehensive guide presents over 105 poetry publishers currently accepting submissions through contests, open reading periods, and solicited manuscripts.

Professional Support for Poets

Poetry manuscript preparation requires careful sequencing, cohesive themes, and understanding contest versus open submission strategies. Adept Ghostwriting provides specialized poetry manuscript consulting, including manuscript ordering and pacing advice, submission strategy development, and contest targeting based on your poetic style and career stage. We help poets navigate the complex submission landscape to find the right publisher for their work. Visit Adept Ghostwriting for expert poetry publishing guidance.

Major University Press Poetry Publishers

1. University of Pittsburgh Press (Pitt Poetry Series)

Overview: One of the most prestigious poetry publishers, the Pitt Poetry Series has launched legendary careers and maintains exceptionally high literary standards.

Acceptance Rate: Less than 1%

Submission Method: Agnes Lynch Starrett Prize for debut poets; open reading period for established poets

Reading Fee: $25 for Starrett Prize

Prize: $5,000 plus publication

Timeline: 6-12 months for contest results

2. Yale University Press (Yale Series of Younger Poets)

Overview: America’s oldest annual literary prize (since 1919), the Yale Younger Poets competition seeks exceptional debut manuscripts.

Acceptance Rate: Less than 1%

Submission Method: Annual competition only (ages 40 and under)

Reading Fee: $25

Prize: $10,000 plus publication

Timeline: Results announced spring following fall submission

3. University of Wisconsin Press

Overview: Operating the prestigious Brittingham Prize and Felix Pollak Prize, Wisconsin Press publishes two poetry manuscripts annually with distinguished judges.

Acceptance Rate: 1-2%

Submission Method: Annual contests (September 1-15)

Reading Fee: $28 per entry

Prize: $5,000 plus publication (each prize)

Timeline: Winners announced spring

4. University of Iowa Press

Overview: Home to the Iowa Poetry Prize, closely associated with the Iowa Writers’ Workshop, maintaining exceptional literary reputation.

Acceptance Rate: 1-2%

Submission Method: Annual Iowa Poetry Prize

Reading Fee: $20

Prize: Publication plus standard royalties

Timeline: 8-12 months

5. University of Georgia Press

Overview: Contemporary Poetry Series publishing innovative, challenging poetry selected by competition.

Acceptance Rate: 1-2%

Submission Method: Annual competition

Reading Fee: $25

Prize: $2,500 plus publication

Timeline: Results within 12 months

6-20. Additional University Press Poetry Publishers

University of Massachusetts Press: Juniper Prize; $25 fee; $1,500 prize; 1-2% acceptance

University of North Texas Press: Rilke Prize; $25 fee; $1,000 prize; 2-3% acceptance

University of Nebraska Press: Prairie Schooner Book Prize in Poetry; $30 fee; $3,000 prize; 1-2% acceptance

University of Utah Press: Poetry contest; $25 fee; publication; 2-4% acceptance

University of Arkansas Press: Miller Williams Poetry Prize; $30 fee; $5,000 prize; 1-2% acceptance

Northwestern University Press: Limited poetry; primarily solicited; less than 1% acceptance

LSU Press: Southern Messenger Poets series; competition; $25 fee; 2-3% acceptance

University of Akron Press: Akron Poetry Prize; $30 fee; $2,000 prize; 2-4% acceptance

Ohio State University Press: Poetry prize; $30 fee; $3,000 prize; 2-3% acceptance

University of South Carolina Press: Poetry contest; $25 fee; publication; 2-4% acceptance

University of Tampa Press: Tampa Review Prize for Poetry; $30 fee; $2,000 prize; 2-3% acceptance

Indiana University Press: Limited poetry; primarily solicited; 1-2% acceptance

University of Illinois Press: National Poetry Series; lottery submission; $30 fee; 1-2% acceptance

University of Michigan Press: Limited poetry; primarily solicited; less than 1% acceptance

Washington State University Press: Regional poetry; open submissions; 3-6% acceptance

Prestigious Independent Poetry Publishers

21. Graywolf Press

Overview: One of America’s most distinguished independent literary publishers, Graywolf publishes exceptional poetry with meticulous editorial care.

Acceptance Rate: Less than 1%

Submission Method: Primarily solicited; occasional open periods

Reading Fee: None during open periods

Timeline: 12-18 months if accepted

22. Coffee House Press

Overview: Nonprofit publisher championing innovative, diverse poetic voices with emphasis on formally inventive and culturally significant work.

Acceptance Rate: 1-2%

Submission Method: Open submission periods announced annually

Reading Fee: None

Timeline: 8-16 months

23. Copper Canyon Press

Overview: Dedicated exclusively to poetry for 50+ years, Copper Canyon publishes established and emerging poets with beautiful production.

Acceptance Rate: Less than 1%

Submission Method: Primarily solicited; Hayden Carruth Award for emerging poets

Reading Fee: $30 for contest

Prize: $3,000 plus publication

Timeline: 10-18 months

24. Wave Books

Overview: Independent nonprofit publishing innovative contemporary poetry with distinctive aesthetic and commitment to poetic experimentation.

Acceptance Rate: Less than 1%

Submission Method: Primarily solicited; occasional contests

Reading Fee: Varies by opportunity

Timeline: 12-18 months

25. Milkweed Editions

Overview: Nonprofit publisher with distinguished poetry list seeking work addressing environmental and social themes alongside literary innovation.

Acceptance Rate: 1-2%

Submission Method: Open reading periods announced on website

Reading Fee: None

Timeline: 10-16 months

26-40. Additional Independent Poetry Presses

Sarabande Books: Kathryn A. Morton Prize; $30 fee; $2,000 prize; 2-3% acceptance

Alice James Books: Multiple contests; $25-30 fees; prizes vary; 2-4% acceptance

BOA Editions: Multiple contests; $25 fee; $1,500 prize; 2-4% acceptance

Tupelo Press: Multiple contests; $30 fee; prizes $1,000-$3,000; 2-4% acceptance

Omnidawn Publishing: Poetry contests; $27 fee; publication; 2-3% acceptance

Persea Books: Lexi Rudnitsky Prize; $30 fee; $1,000 prize; 2-3% acceptance

Four Way Books: Levis Prize, Stahlecker Prize; $30 fee; $2,000 prize; 2-3% acceptance

Beacon Press: Limited poetry; primarily solicited; less than 1% acceptance

Dzanc Books: Poetry contests; $27 fee; publication; 3-5% acceptance

Autumn House Press: Poetry Prize; $30 fee; $2,500 prize; 3-5% acceptance

Black Lawrence Press: Poetry contests; $27 fee; publication; 3-6% acceptance

Saturnalia Books: Poetry Prize; $30 fee; publication; 2-4% acceptance

Barrow Street Press: Poetry Prize; $30 fee; $1,000 prize; 3-5% acceptance

The Center for Literary Publishing: Colorado Prize for Poetry; $30 fee; $2,000 prize; 2-3% acceptance

Conduit Books & Ephemera: Poetry contest; $20 fee; publication; 3-6% acceptance

Regional & Specialized Poetry Publishers

41. Hub City Press

Overview: Southern nonprofit publisher with strong regional poetry list seeking voices connected to the American South.

Acceptance Rate: 4-7%

Submission Method: C. Michael Curtis Short Story Book Prize occasionally includes poetry; limited reading periods

Reading Fee: Varies

Timeline: 6-14 months

42. Red Hen Press

Overview: Los Angeles-based nonprofit publishing poetry addressing contemporary social issues with literary merit.

Acceptance Rate: 3-5%

Submission Method: Poetry contests and limited open submissions

Reading Fee: $25-30 for contests

Timeline: 8-16 months

43. Texas Tech University Press

Overview: Walt McDonald First-Book Prize in Poetry for poets who have not published a book-length collection.

Acceptance Rate: 2-4%

Submission Method: Annual contest

Reading Fee: $25

Prize: $1,000 plus publication

Timeline: Results announced spring

44. University of New Mexico Press

Overview: West End Press Chapbook competition and occasional full-length poetry.

Acceptance Rate: 3-6%

Submission Method: Chapbook contest

Reading Fee: $20

Timeline: 6-12 months

45. Cleveland State University Poetry Center

Overview: Operating multiple poetry prizes for different career stages with commitment to diverse voices.

Acceptance Rate: 2-4%

Submission Method: Multiple annual contests

Reading Fee: $25-30

Prizes: $1,000-$3,000 depending on prize

Timeline: Winners announced spring/summer

46-60. Regional Poetry Publishers

University of Nevada Press: Poetry prize; $30 fee; 2-4% acceptance

University of Oklahoma Press: Limited poetry; regional focus; 3-6% acceptance

Moon City Press (Missouri State): Poetry Prize; $25 fee; 3-5% acceptance

Lost Horse Press: Idaho Prize for Poetry; $25 fee; 3-6% acceptance

Ashland Poetry Press: Snyder Prize; $30 fee; 3-5% acceptance

Miami University Press: Poetry contests; $25 fee; 3-6% acceptance

University of North Dakota Press: North Dakota Institute for Regional Studies; 4-8% acceptance

White Pine Press: Poetry Prize; $30 fee; 3-5% acceptance

New Rivers Press: Minnesota Voices Project; $25 fee; 4-7% acceptance

Stephen F. Austin State University Press: Texas poetry; regional; 4-8% acceptance

University of Alaska Press: Alaska poetry focus; 4-8% acceptance

University of Montana Press: Limited poetry; regional focus; 3-6% acceptance

Trinity University Press: Texas Poets Laureate Series; invitation; less than 1% acceptance

West Virginia University Press: Appalachian poetry; 4-8% acceptance

Anhinga Press: Robert Dana Prize; $30 fee; 3-5% acceptance

Small & Micro Press Poetry Publishers

61-90. Small Press Poetry Publishers

Bull City Press: Frost Place Chapbook Competition; $15 fee; 5-10% acceptance

Ghost Road Press: Poetry contest; $25 fee; 5-10% acceptance

Nightboat Books: Poetry Prize; $30 fee; 2-4% acceptance

Fence Books: Multiple contests; $30 fee; 2-4% acceptance

Noemi Press: Poetry contests; $25 fee; 4-7% acceptance

Action Books: Notre Dame Review Book Prize; $15 fee; 3-6% acceptance

Ahsahta Press: Sawtooth Poetry Prize; $30 fee; 3-5% acceptance

Rose Metal Press: Chapbook contests; $20 fee; 5-10% acceptance

Concrete Wolf Press: Poetry Prize; $25 fee; 5-10% acceptance

Accents Publishing: Contests periodically; $20-25 fee; 5-10% acceptance

Elixir Press: Antivenom Poetry Award; $25 fee; 4-7% acceptance

Finishing Line Press: Open Chapbook Competition; $25 fee; 15-25% acceptance

Etruscan Press: Poetry Prize; $30 fee; 3-6% acceptance

Main Street Rag: Poetry Book Award; $30 fee; 5-10% acceptance

Salmon Poetry (Ireland): International submissions; $30 fee; 4-8% acceptance

CavanKerry Press: Poetry contests; $30 fee; 3-6% acceptance

Sheila-Na-Gig Editions: Midwest poetry; $25 fee; 6-12% acceptance

YesYes Books: Poetry contests; $25 fee; 4-8% acceptance

Brooklyn Arts Press: Poetry manuscripts; $25 fee; 5-10% acceptance

MoonPath Press: Pacific Northwest poetry; $25 fee; 6-12% acceptance

BOAAT Press: Contests and open submissions; $20-25 fee; 5-10% acceptance

Platypus Press: Limited poetry; chapbooks focus; 8-15% acceptance

Tiger Bark Press: Chapbooks; $20 fee; 8-15% acceptance

Sundress Publications: Chapbook contests; $20 fee; 8-15% acceptance

ELJ Editions: Innovative poetry; $25 fee; 5-10% acceptance

Sibling Rivalry Press: LGBTQ+ poetry; contests; $25 fee; 5-10% acceptance

Argos Books: Experimental poetry; limited submissions; 3-6% acceptance

Letter Machine Editions: Innovative poetry; contests; $25 fee; 4-8% acceptance

Futurepoem Books: Experimental poetry; limited; 2-4% acceptance

Ugly Duckling Presse: Innovative poetry; primarily solicited; 1-3% acceptance

Genre & Identity-Focused Poetry Publishers

91-105. Specialized Poetry Publishers

Write Bloody Publishing: Performance poetry; spoken word; $25 fee; 6-12% acceptance

Feminist Press: Feminist poetry; limited; primarily solicited; 2-4% acceptance

Apogee Press: Social justice poetry; contests; $25 fee; 4-8% acceptance

Two Sylvias Press: Women’s poetry; Wilder Prize; $30 fee; 5-10% acceptance

Arte Público Press: Latino/Latina poetry; $30 fee; 4-8% acceptance

University of Arizona Press: Camino del Sol; Latinx poetry; 3-6% acceptance

Kaya Press: Asian American poetry; limited; 3-6% acceptance

Tía Chucha Press: Chicano/Latino poetry; contests; 5-10% acceptance

Akashic Books: Urban poetry; occasional; 3-6% acceptance

TriQuarterly Books: Poetry occasionally; primarily prose; 2-4% acceptance

Persea Books: Poetry in Translation series; $30 fee; 3-6% acceptance

Zephyr Press: Translation focus; limited original poetry; 2-4% acceptance

New Directions: Experimental/international poetry; primarily solicited; less than 1% acceptance

Bloodaxe Books (UK): British and international poetry; primarily solicited; 1-3% acceptance

Carcanet Press (UK): British poetry; primarily solicited; 1-3% acceptance

Additional Notable Mentions: University presses at Penn State, Kentucky, Tennessee, Alabama, and Missouri occasionally publish poetry through contests or solicitation.

Poetry Publishing Success Strategies

Poetry publishers evaluate manuscripts on literary merit, originality, cohesion, and voice. Success requires understanding poetry publishing’s unique landscape:

Manuscript Preparation: Full-length manuscripts typically range 48-100 pages. Chapbooks run 20-30 pages. Ensure strong opening and closing poems. Middle sections should demonstrate range while maintaining cohesion. Remove weak poems ruthlessly.

Manuscript Ordering: Sequence matters enormously. Thematic progression, tonal variation, and narrative arc (even in non-narrative collections) create reader experience. Consider multiple orderings before finalizing.

Contest Strategy: Most poetry books emerge from contests. Budget $300-500 annually for contest fees. Target 10-15 contests matching your aesthetic. Research judges—their own work indicates aesthetic preferences.

Open Submission Periods: Some presses accept manuscripts during limited windows without fees. Monitor Poets & Writers, NewPages, and publisher websites for announcements.

Platform Considerations: Unlike prose, poetry publishers care little about social media following. Publication credits in respected journals matter enormously. Build your CV through journal publication before submitting book manuscripts.

Journal Publications: Most successful poetry book manuscripts contain poems previously published in literary journals. Aim for 50-75% journal publication before book submission. Credits in The Paris Review, Poetry, The Kenyon Review, and similar prestigious journals strengthen manuscripts.

Previous Book Publications: First book contests typically restrict eligibility to poets without previous full-length collections. Second book contests exist but are fewer. Established poets often submit through agents or editor relationships.

Reading Contemporary Poetry: Familiarize yourself with poetry from your target publishers. Each press has distinct aesthetic. Don’t submit experimental poetry to traditional presses or vice versa.

Professional Presentation: Follow submission guidelines precisely. Include cover letter mentioning relevant publications and awards. No fancy formatting—clean, readable 12-point standard font.

Understanding Acceptance Rates: Poetry publishing is extraordinarily competitive. University press contests often receive 1,000+ submissions for one publication slot. Rejection is universal. The best poets face hundreds of rejections.

Building Relationships: Attend poetry conferences (AWP, Split This Rock), participate in writing workshops, and engage poetry communities. Relationships with established poets can lead to manuscript recommendations.

Be Patient: Poetry manuscripts take months or years to find homes. Continue writing, submitting to journals, and entering contests while waiting. Most successful poets have multiple manuscripts in circulation simultaneously.

Cost Awareness: Reading fees ($20-30 per contest) add up quickly. Budget accordingly. Some poets question ethics of fee-based contests, but they’re standard in poetry publishing and fund press operations.

The poetry market values innovation, diverse voices, formal experimentation, and engagement with contemporary issues. Publishers actively seek poets of color, LGBTQ+ poets, working-class voices, and perspectives underrepresented in literary canon.

Research each press thoroughly. Read their recent publications. Understand their aesthetic. Target presses whose published poets you admire. Strategic targeting dramatically improves success rates even in this competitive landscape.


Note: Publisher information is current as of January 2026. Poetry publishing operates on annual cycles with contest deadlines typically September-March. Always verify current submission windows, fees, and guidelines on publisher websites.

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